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The ten most-loved entries advance to the finals.
This piece was created through upcycling, repurposing discarded shipping bags and transforming them into an unconventional textile. Techniques include deconstruction, reconstruction, patchwork, stitching, material manipulation, and delicate hand-beading with small pearls. The different fragments create volume, texture, and movement, while the pearl embroidery adds a refined contrast to the recycled material.
To create this garment, I collected 5 old pairs of jeans, washed them, and deconstructed them by removing the rivets. I drafted the patterns for a jacket and cut each piece, making the most of the original pockets and shades. For the front welt pockets, I used the thinnest denim and softer fabric to make it lighter. On the back, I designed a patchwork piece of my favorite character using fabric scraps and faux leather. During the creation of this piece in July, I was finishing my training as a pattern-drafting student, which is why I am wearing my technical academy uniform in the video. However, the entire design and creation were entirely my own concept and authorship. This long and challenging process gave those old pants a new life, turning them into a completely different, functional, and beautiful garment. Thank you, blessings.

Ten Thousand Transactions A dress made entirely out of receipts featuring 10,000 folded origami cranes! This project took over 2 years to complete and features several different paper manipulation techniques. Receipts are unable to be recycled so they have to go into the landfill, and it is easy to find yourself with a bunch of them in a short period of time. I used thousands of them to fold into paper cranes while saving the scraps for the bodice. I shredded and glued most of them to create the feathers and kept some strips to paper mache the bodice. Each feather on the front was embroidered with hand rolled beads made from the tiny scraps. The origami cranes were hand sewn to a large sheet of paper I made out of rolls of unused receipt paper. To create the gradient effect on the skirt I used heat and spray adhesive that reacts with the thermal elements on the paper. If you want to read more about this outfit I wrote about the whole process on my website: Stockroseart.com

For 4 years ago, I started sewing & take the challenge of turning old things into unique designer pieces. Since then, I’ve spent countless hours experimenting and refining my technique until I discovered PVC as a way to reinforce materials like paper and old packaging, making them durable enough to sew with. I’m so happy to be part of this challenge. Thank you so much for having me! ♡
A Japanese-inspired dress created through the recycling and repurposing of different denim garments. The piece is constructed by layering and joining small fragments of fabric sourced from various pairs of jeans, creating an irregular composition of different shades, textures, and levels of wear. The design draws inspiration from the Japanese aesthetic of Boro, a traditional practice based on repairing, patching, and extending the life of textiles. Visible seams, frayed edges, and the asymmetric arrangement of the fabric pieces are intentionally exposed, turning the construction process itself into an essential part of the dress’s aesthetic. The combination of light and dark denim creates depth and emphasizes the handcrafted character of the garment, while the fitted silhouette, collar, and upper button detailing add structure to the design. The result is a unique piece that brings together Japanese tradition, textile experimentation, and upcycling, transforming existing materials.
This shoulder bag was upcycled from an old denim pair of jeans, and an old curtain. The fabrics were in great condition and the white lace is a great contrast for the dark denim. The silhouette was inspired by the viral slouche bag that has been on social media. The shape is casual but the fabric evaluates it, the piece can be dressed up or down.
I thrifted an old table cloth from the Bronx, NY with the intention of creating a handbag collection. The print, to me, reminded me of the times my family gathered together at the kitchen table around a big feast of grapes, cheese, and wine during the fall season. The table cloth protecting the table from our messy laughter and enjoyment. The fringe was another piece of the tablecloth that I wanted to keep within the design. To play on the delicate and elegant trend of micro purses, I decided to go with a tiny purse. I had to keep the fabrication in mind with the structure, so I wanted something that didn’t require embedding a grommet, snap or zipper. I felt that the silhouette of the bag represented the print of the fabric well l, keeping the details sharp. I made a mock up and absolutely loved it. The shape fit perfectly around the wrist and was such a statement piece. Perfect to pair with a maroon or beige fall sweater.
Constructing a reversible denim trench coat by piecing together multiple shades of thrifted denim and lining it with upcycled vintage bedsheets. Watch the process of laying out the panels, arranging the patchwork, and finishing the inner lining.
Hand Crocheted Caution Tape Dress ⚠️❤️ I hand crochet this upcycled design out of caution tape for the annual Cincy Street Meet event hosted in Cincinnati, OH.

This jacket is a canvas where a Persian rug found new life.l hand-embroidered classic Persian carpet pattern to create a beautiful contrast between modern wear and traditional art. Every stitch tells a story. This is a true one-of-a-kind piece— no repeats , ever

This coat handmade entirely from upcycled plastic waste. I collected discarded plastic bags and waste plastic materials and transformed them into a wearable piece of art.my goal was to give these materials a second life instead of letting them end up in landfill.this is a completely original, one-of-a-kind handmade creation.#upcycled#zerowaste#sustainablefashion
From Stained to Statement | Vintage Champion Upcycled Two-Piece A heavyweight vintage Champion sweatshirt, once covered in stubborn bleach, rust and paint stains, reimagined into a unique two-piece set. Using fabric reclaimed from a lightweight ombré sweatshirt, I created square patches in earthy shades of olive green, forest green and brown. Each patch was carefully measured, spaced and sewn diagonally to conceal stains while maintaining a balanced geometric pattern and a subtle ombré colour transition. I sourced matching sand-coloured shorts and incorporated complementary patchwork to complete the set. I think the strongest part is that the placement of each patch served two purposes: concealing damage and creating a deliberate design. Techniques: Creative mending, fabric reclamation, geometric patchwork, measured placement, machine sewing and colour coordination. Colours: Sand, olive green, forest green, earthy brown. #UpcycledFashion #CreativeMending #Patchwork #wtu2026
This entire look was made from thrifted denim. Different shades and textures were brought together using rough patchwork inspired by Japanese boro techniques. Instead of buying new fabric, we worked with what already existed, letting the frayed edges, faded colors, and imperfections become part of the design.
WORTH RESTORING This piece is a celebration of repair, restoration, and the beauty of giving damaged clothing a second chance. I began with a thrifted brown pinstripe blazer with significant tears and a second thrifted material: newspaper-print fabric. Rather than discard the blazer, I repaired the damaged areas using the printed fabric, transforming its flaws into part of its renewed identity. White bias tape adds contrast and highlights the blazer’s lines, bringing the design together. I also made pants from newspaper-print fabric My intention was to show that upcycling is not always about completely transforming a garment into something unrecognisable. Sometimes, it is about preserving what already exists, extending its life, and finding creative value in what others might consider waste. It challenges the throwaway culture of fashion and reminds us that damaged does not mean worthless. Through thoughtful repair and design, garments can be restored, reimagined, and worn again.
I used a towel to make the skull on the polo and I stitched it up with a sewing machine. Please leave it like on this post. It would mean a lot to me. I posted the process on social media under soulace_archive